The editors of Murder in Baker Street return with a second anthology of all-new Sherlock Holmes stories and essays.First appearing more than a century ago in the works of Sir Arthur Conan Doyle, Sherlock Holmes remains the world's most famous literary detective. Now the immortal sleuth and his loyal companion Dr. John Watson investigate a series of previously unrecorded cases in this collection of totally original and confounding tales. As in the popular debut anthology, Murder in Baker Street, Anne Perry and ten more popular mystery writers celebrate the mind and methods of Sherlock Holmes in Murder, My Dear Watson. The volume also includes insightful essays, such as:Christopher Redmond on illuminating the vast possibilities that new technology offers in "Sherlock Holmes on the Internet"Editors Lellenberg and Stashower's "A Sherlockian Library" details fifty essential books for the Arthur Conan Doyle fanPhilip A. Shreffler's essay explores one of English literature's most famous friendships in "Holmes and Watson, the Head and the Heart"

A little music, a little dancing, a little murder at the spring ball.England, 1925. After years shut away from the world, former detective Lord Edgington of Cranley Hall plans a grand ball to celebrate his seventy-fifth birthday.But when someone starts bumping off members of his scheming family, the old man enlists his teenage grandson to help find the killer, before one of them is next.The mismatched duo must pick the culprit from a gaggle of preening playboys, scatter-brained spinsters and irate inspectors in this Agatha-Christie-style whodunnit that will have you racing to spot the killer.With a cast of eccentric suspects (both upstairs and down) and an adorable golden retriever along for the ride, “Murder at the Spring Ball” is a warm-hearted murder mystery full of intrigue, humour and adventure.

A body on the tracks and a pair of missing wills have Dr. Priestley puzzled . . .   Gervase Wickenden’s estate is close to a railroad line—and that’s where his mangled body is found after an unfortunate meeting with a train. The timing is a bit odd though, considering this happened only two days after Wickenden changed his will. And now, neither version of the will can be located . . .   The heirs ask Dr. Lancelot Priestley to look into the matter of the missing documents, but he soon stumbles on something else entirely: evidence that the train was not the actual cause of death. It’s up to him to deduce the facts behind this fatal so-called accident, in a compelling British mystery by a Golden Age master.   “You can never go far wrong with a Dr. Priestley story.” —The New York Times

A custom-made killer shocks the fashionable London set in “one of the finest murder books ever written” featuring gentleman sleuth Albert Campion (The New Yorker).   Albert Campion’s sister is a success in her own right. A top fashion designer, she works for a legendary couturier and dresses Georgia Wells, the best-dressed actress in the world. Albert also has a connection to Georgia, but his is based on failure, not success. Georgia’s former fiancé disappeared nearly three years ago, and Campion has never been able to find him. Until now . . .   The victim’s remains—discovered by Campion in a deserted country house—point to suicide. But the man’s father assumes it was foul play. In a rarified world of wealth and privilege where silence and secrets can be bought, the investigation won’t be easy, especially when another death takes center stage. This time, the victim is Georgia’s current husband—and starring in the role of prime suspect: Albert’s sister.  “Top ranking whodunit in Dorothy Sayers tradition . . . Plus sale for non-mysteryites as first rate novel of fashionable London. Suspense—humor—well planned, well written.” —Kirkus Reviews  Praise for Margery Allingham   “Margery Allingham stands out like a shining light.” —Agatha Christie   “The best of mystery writers.” —The New Yorker   “Allingham was a rare and precious talent.” —The Washington Post   “Don’t start reading these books unless you are confident that you can handle addiction.” —The Independent

The first three Cassie Pengear Mysteries in one volume.Killing at the Carnival- Cassie Pengear thought a visit to the carnival would be fun: see some shows, eat some sweets, help her landlady’s nephew decide if the cowboy was real or an actor. But then the cowboy shot the volunteer, and he didn’t get up. Now Cassie has a ten-year-old boy insisting the cowboy isn’t a killer and a landlady insisting she help solve the killing at the carnival.Death at Dinner- Cassie Pengear did not want to spend her evening acting as a parlor maid even if the house was in Mayfair, but her landlady’s friend was desperate and it was only night. But then one of the guests collapsed at the table. Now poison is suspected and the cook is convinced she’s the main suspect and will be locked away if Cassie doesn't solve the death at dinner. Stabbing Set with Sapphires- Cassie Pengear thought a job typing up inventory lists at a jewelry store would be fun. Until there was a kidnapping. And then a robbery. And then a murder. Now Cassie must figure out the connection between the events and hope it will lead her to the missing girl.In a Victorian England that almost existed, a steampunk London where tinkerers and clockwork devices exist alongside hansom cabs and corsets, murder is still solved by traditional observation and intuition. This is the London where American typist Cassandra Pengear finds herself stumbling over corpses and helping Scotland Yard detectives solve murders (although they inexplicably prefer to call it interfering). Follow her adventures in the Cassie Pengear Mystery series, beginning with The Killing at the Carnival.

MacDougal Duff falls in with a strange family—and senses murderA sudden cloudburst forces MacDougal Duff to stop his car in front of the home of Mary Moriarty. The history professor turned detective is reclining in his seat, waiting out the torrential rainstorm, when Mary knocks on the car window holding a feverish child and jabbering about a dead woman. After years investigating murders, Mac Duff is not fazed by a dead body, but the sick child moves his heart. He speeds to the hospital, and while the doctor is seeing to the child, he asks Mary about the dead woman. Her name was Brownie, Mary says, and she was poisoned. Unable to resist an interesting death, Mac Duff moves in with the family, pretending to be a distant relation. To his delight, he finds a home corrupted by secrets, whose residents do not hesitate to kill.