2021 Annie McDonnell Memorial Literary Award Finalist

2020 Chanticleer International Book Awards Finalist for Paranormal Division

2020 Publisher's Weekly BookLife Prize Quarter Finalist for Fiction

2020 Readers' Favorite Book Awards Silver Medalist for Paranormal Fiction

“I am always on the lookout for exciting new writers, and once I started reading Charleston Green by Stephanie Alexander, I was captivated. This novel leaves the reader entranced; the writing is skillful and clever and funny. I highly recommend this book.” —New York Times Bestselling Author Elin Hilderbrand

“With humor, heart and a heaping helping of Southern Charm, Charleston Green brings an entirely new meaning to the term 'unwanted house guests.' Tipsy is a lovable, flawed, complex heroine that readers will root for from the first page to the last—and pitch-perfect storytelling will leave fans begging for a sequel. This is Stephanie Alexander at her best!” —USA Today Bestselling Author of Feels Like Falling, Kristy Woodson Harvey

If Tipsy Collins learned one thing from her divorce, it's that everyone in Charleston is a little crazy—even if they're already dead.

Tipsy, a gifted artist, cannot ignore her nutty friends or her vindictive ex-husband, but as a lifelong reluctant clairvoyant, she's always avoided dead people. When Tipsy and her three children move into the house on Bennett Street, she realizes some ghosts won't be ignored.

Till death do us part didn't pan out for Jane and Henry Mott, who've haunted the house for nearly a century. Tipsy's marriage was downright felicitous when compared to Jane and Henry's ill-fated union. Jane believes Henry killed her and then himself, and Henry vehemently denies both accusations. Unfortunately, neither phantom remembers that afternoon in 1923. Tipsy doesn't know whether to side with Jane, who seems to be hiding something under her southern belle charm, or Henry, a mercurial creative genius. Jane and Henry draw Tipsy into their conundrum, and she uncovers secrets long concealed under layers of good manners, broken promises and soupy Lowcountry air. Living with ghosts, however, takes a toll on her health, and possibly even her sanity. As she struggles to forge a new path for herself and her children, Tipsy has a chance to set Jane and Henry free, and release the ghosts of her own past.

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This Pygmalion tale of a struggling novelist turned bond trader brings to life the greed and riotous wealth of mid-2000s New York City.
India Palmer, living the cash-strapped existence of the writer, is visiting wealthy friends in Maine when a yellow biplane swoops down from the clear blue sky to bring a stranger into her life, one who will change everything.
The stranger is Win Johns, a swaggering and intellectually bored trader of mortgage-backed securities. Charmed by India's intelligence, humor, and inquisitive nature—and aware of her near-desperate financial situation—Win poses a proposition: "Give me eighteen months and I'll make you a world-class bond trader."
Shedding her artist's life with surprising ease, India embarks on a raucous ride to the top of the income chain, leveraging herself with crumbling real estate, never once looking back . . .Or does she? With a light-handed irony that is by turns as measured as Claire Messud's and as biting as Tom Wolfe's, Martha McPhee tells the classic American story of people reinventing themselves, unaware of the price they must pay for their transformation.