Now a Major Motion Picture A dazzling debut—and a publishing phenomenon—Natasha: And Other Stories is the tender, savagely funny collection from a young immigrant who has taken the critics by storm. Few readers had heard of David Bezmozgis before May 2003, when Harper's, Zoetrope, and The New Yorker all printed stories from his forthcoming collection. In the space of a few weeks, America thus met the Bermans—Bella and Roman and their son, Mark—Russian Jews who have fled the Riga of Brezhnev for Toronto, the city of their dreams. Told through Mark's eyes, the stories in Natasha possess a serious wit and uniquely Jewish perspective that recall the first published stories of Bernard Malamud and Philip Roth, not to mention the work of Jhumpa Lahiri, Nathan Englander, and Adam Haslett. Winner of the Commonwealth Writers' First Book Prize for Canada and the Caribbean, the Toronto Book Award, Reform Judaism Prize for Jewish Fiction, Koffler Centre of the Arts' Helen and Stan Vine Canadian Jewish Book Award for Fiction, the City of Toronto Book Award, the Jewish Quarterly-Wingate Prize for Fiction, and the Moment Magazine Fiction Award Shortlisted for the Guardian First Book Award, the Los Angeles Times Art Seidenbaum Award for First Fiction, and the Governor General’s Award for Literature, the Danuta Gleed Literary Award for Best First Collection of Short Fiction in the English Language Named a New York Times Book Review Notable Book of the Year, a Los Angeles Times' 1 of the 25 Best Books of the Year, a New York Public Library's 25 Best Books to Remember, and a Chicago Tribune and San Francisco Chronicle Best Book of the Year

One of England's finest and most loved writers explores the uncomfortable and tragicomic gap between people's public appearance and their private desires in two tender and surprising stories. In The Greening of Mrs. Donaldson, a recently bereaved widow finds interesting ways to supplement her income by performing as a patient for medical students, and renting out her spare room. Quiet, middle-class, and middle-aged, Mrs. Donaldson will soon discover that she rather enjoys role-play at the hospital, and the irregular and startling entertainment provided by her tenants. In The Shielding of Mrs. Forbes, a disappointed middle-aged mother dotes on her only son, Graham, who believes he must shield her from the truth. As Graham's double life becomes increasingly complicated, we realize how little he understands, not only of his own desires but also those of his mother. A master storyteller dissects a very English form of secrecy with two stories of the unexpected in otherwise apparently ordinary lives.

Dogs rule at Mercy Animal Shelter. So do cats, bunnies and every other creature that must temporarily call it home. Running an animal shelter is hell, but Lucy knew that coming in. Dealing with the constant stream of homeless animals, tight budget and tighter Board of Directors, while maintaining a 20 year marriage, is exhausting. But it's all worth it each and every time an animal gets adopted. What Lucy could not foresee is that an unknown enemy would declare war on Mercy. Disturbing notes, nasty pranks and the horrible murder of a beloved co-worker threatens Mercy's very existence. Ferocious in the defense of her employees and the animals they care for, Lucy must identify and stop this enemy, or die trying.

Graceland is a dazzling debut by a singular new talentThe sprawling, swampy, cacophonous city of Lagos, Nigeria, provides the backdrop to the story of Elvis, a teenage Elvis impersonator hoping to make his way out of the ghetto. Broke, beset by floods, and beatings by his alcoholic father, and with no job opportunities in sight, Elvis is tempted by a life of crime. Thus begins his odyssey into the dangerous underworld of Lagos, guided by his friend Redemption and accompanied by a restless hybrid of voices including The King of Beggars, Sunday, Innocent and Comfort. Ultimately, young Elvis, drenched in reggae and jazz, and besotted with American film heroes and images, must find his way to a GraceLand of his own. Nuanced, lyrical, and pitch perfect, Abani has created a remarkable story of a son and his father, and an examination of postcolonial Nigeria where the trappings of American culture reign supreme."A richly detailed, poignant, and utterly fascinating look into another culture and how it is cross-pollinated by our own. It brings to mind the work of Ha Jin in its power and revelation of the new."--T. Coraghessan Boyle

A collection of short stories and other miscellaneous writings by Joseph Heller, one of America’s most influential and idiosyncratic writers.

Years before the publication of

Catch-22

—which was called “a monumental artifact of contemporary literature” by

The New York Times

, “an apocalyptic masterpiece” by the

Chicago Sun-Times

, and “one of the most bitterly funny works in the language” by

The New Republic

—Joseph Heller began sharpening his skills as a writer, searching for the voice that would best express his own peculiarly wry view of the world. In

Catch As Catch Can

, editors Matthew J. Bruccoli and Park Bucker have for the first time collected the short stories Heller published prior to that first novel, along with all the other short pieces of fiction and nonfiction that were published during his lifetime. Also included are five previously unpublished short stories, most reflecting the influence on Heller of urban naturalist writers such as Irwin Shaw and Nelson Algren. The result is an important and significant addition to our understanding and appreciation of Joseph Heller, showing his evolution as a writer and artist. For those unfamiliar with his work, it will serve as an excellent introduction; for everyone else,

Catch As Catch Can

is a chance to explore a new aspect of Heller's remarkable career.